word/phrase |
coined by |
context |
A fool’s paradise |
Shakespeare |
Romeo and Juliet |
advertising |
Shakespeare |
Measure for Measure, Act V, Scene I |
accommodation |
Shakespeare |
Measure for Measure, Act III, Scene I |
admirable |
Shakespeare |
A Midsummer Night's Dream, Act V, Scene I |
amazement |
Shakespeare |
Hamlet, Act III, Scene II |
bedroom |
Shakespeare |
A Midsummer Night's Dream, ACT II SCENE II |
belongings |
Shakespeare |
Measure for Measure, Act I, Scene I |
big bang |
Fred Hoyle |
in a radio interview with BBC in 1949 |
birthplace |
Shakespeare |
Coriolanus, ACT IV SCENE IV |
break the ice |
Shakespeare |
The Taming of the Shrew, Act I, Scene II |
bump |
Shakespeare |
Romeo and Juliet, ACT I SCENE III |
buzzer |
Shakespeare |
Hamlet, ACT IV SCENE V |
champion |
Shakespeare |
Macbeth, ACT III SCENE I |
circumstantial |
Shakespeare |
As You Like It, ACT V SCENE IV |
cold-blooded |
Shakespeare |
King John, Act III, Scene I |
countless |
Shakespeare |
Titus Andronicus, ACT V SCENE III |
courtship |
Shakespeare |
Love's Labour's Lost, ACT V SCENE II |
critic |
Shakespeare |
Love's Labour's Lost, Act 3, Scene 1 |
dauntless |
Shakespeare |
King Henry VI, Part III, ACT III SCENE III |
dawn |
Shakespeare |
Henry V, ACT IV |
dwindle |
Shakespeare |
King Henry IV, Part I, ACT III SCENE III |
elbow room |
Shakespeare |
King John |
electricity |
William Gilbert |
coined the New Latin word electricus (from elektron, the Greek word for "amber") |
eventful |
Shakespeare |
As You Like It, Act II, Scene VII |
excitement |
Shakespeare |
Hamlet, ACT IV SCENE IV |
fashionable |
Shakespeare |
Troilus and Cressida, Act III, Scene iii |
fiber optics |
Narinder Singh Kapany |
Kapany coined the term fiber optics in a 1960 article in Scientific American magazine. |
generous |
Shakespeare |
Love's Labour's Lost, ACT V SCENE I |
gloomy |
Shakespeare |
King Henry VI, Part I, Act V, Scene IV |
gossip |
Shakespeare |
The Comedy of Errors, Act V, Scene I |
green-eyed monster |
Shakespeare |
Othello, Act III, Scene III |
a heart of gold |
Shakespeare |
Henry V, Act IV, Scene i |
hint |
Shakespeare |
Othello, ACT I SCENE III |
jaded |
Shakespeare |
King Henry VI, Part II, ACT IV, SCENE I |
laughable |
Shakespeare |
The Merchant of Venice, ACT I SCENE I |
lonely |
Shakespeare |
Coriolanus, Act IV, Scene I |
love is blind |
Shakespeare |
The Merchant of Venice, Act II, Scene VI |
majestic |
Shakespeare |
Julius Caesar, Act I, Scene II |
manager |
Shakespeare |
A Midsummer Night’s Dream, Act V, Scene I |
marketable |
Shakespeare |
As You Like It, ACT I SCENE II |
mimic |
Shakespeare |
A Midsummer Night's Dream, ACT III SCENE II |
obscene |
Shakespeare |
Love's Labour's Lost, ACT I SCENE I |
outbreak |
Shakespeare |
Hamlet, ACT II SCENE I |
Pandemonium |
John Milton |
Pandemonium is the capital city of Hell in Paradise Lost |
radiance |
Shakespeare |
All's Well That Ends Well, ACT I, SCENE I |
robot |
Josef Čapek |
Czech writer Karel Čapek published a play called R.U.R. in 1920 about a fictional company, Rossumovi Univerzální Roboti ("Rossum's Universal Robots"), that manufactured automatons (human-like machines) to work for people. During the writing of his play, Josef Čapek, Karel Čapek's brother, suggested the word 'robot' from an Old Church Slavonic word, rabota, which means "servitude of forced labor". Robot made its way common usage after R.U.R. was translated into English in 1922. |
savagery |
Shakespeare |
King John, ACT IV SCENE III |
saxophone |
Adolphe Sax |
Saxophone is named after its inventor, a Belgian musical instrument designer, Adolphe Sax. (list of words that are named after people) |
scuffle |
Shakespeare |
Antony and Cleopatra, ACT I SCENE I |
secure |
Shakespeare |
King Henry VI, Part II, ACT V SCENE II |
selfie |
Nathan Hope |
Though 'selfie' is in common parlance in AUstralia before 2002, Nathan Hope was the first person to use it on the internet |
serendipity |
Horace Walpole |
Horace Walpole coined the word serendipity in a letter to Horace Mann, dated January 28, 1754. Walpole explained an unexpected discovery he had made about a lost painting of Bianca Cappello by Giorgio Vasari by reference to a Persian fairy tale, The Three Princes of Serendip. |
skim milk |
Shakespeare |
King Henry IV, Part I, ACT II SCENE III |
submerge |
Shakespeare |
ACT I SCENE IV, ACT II SCENE V |
summit |
Shakespeare |
Hamlet, ACT I SCENE IV |
swagger |
Shakespeare |
A Midsummer Night's Dream, Act III, Scene I |
the naked truth |
Shakespeare |
Love’s Labour’s Lost |
torture |
Shakespeare |
King Henry VI, Part II, Act II, Scene I |
tranquil |
Shakespeare |
Othello, ACT III SCENE III |
unreal |
Shakespeare |
Macbeth, ACT III SCENE IV |
varied |
Shakespeare |
Titus Andronicus, ACT III SCENE I |
wild goose chase |
Shakespeare |
Romeo and Juliet, ACT II SCENE IV |
worthless |
Shakespeare |
King Henry VI, Part III, ACT I SCENE I |
zany |
Shakespeare |
Love's Labour's Lost, Act V, Scene II |
xxxx |
Shakespeare |
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